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Prophecy and Palimpsest
by Robert M. Price
by Robert M. Price
In 2 Kings chapter 22 the priest Hilkiah sends word to Josiah the King, "I have found a book." Hilkiah had been busy locating certain funds to be used to compensate the crews of workmen hired to refurbish the temple, when suddenly the shrouding dust and shadows disclosed a surprising secret, nothing less than the Book of the Covenant, or what we today refer to as the Book of Deuteronomy (or at least the core of it, chapters 4-33). The passage provides priceless information about the emergence of the Book of Deuteronomy. We only wish we had such revealing clues at other points in the history of the biblical canon. We may suppose, however, that the story of Josiah, Hilkiah, and the Book strikes deeper resonances for Latter Day Saints than for any other Christian group. This is because of the similarity to the conditions in which the Book of Mormon came to light. It, too, is said to be an ancient scripture long buried in a time of religious and national crisis, only to resurface long afterward, when its forgotten message should be heard anew. Today virtually all critical scholars agree that the tale of Josiah and Hilkiah hints at the very thing it tries to hide: that the Book was not discovered and dusted off, but actually created by Hilkiah, Huldah, Jeremiah, and others of the "Deuteronomic School" who thus sought to win the impressionable young king Josiah to their religious agenda. What is set forth in 2 Kings as reactionary (restoring the past) was really revolutionary (pressing on into a new future).
Again, virtually all critical scholars agree that Joseph Smith did not discover the Book of Mormon but rather created it. His goal would have been as analogous to that of Hilkiah as his methods had been: in the face of confusion over which 19th century version of Christianity to embrace, none seeming to have any particular advantage over the others, all seeming to be severely in want of something, Joseph Smith tried to make a clean break with the recent past and to go on into a new future by invoking a more distant past. And in so doing he had created something new, an imaginary Sacred Past, the way it should have been.
Seen this way, the roots of the Latter Day Saint movement among the Campbellite Restoration movement makes new sense. When the other Campbellite sects blazed a trail "back to the Bible," i.e., to the early church of the New Testament, they were unwittingly retrojecting onto the past their own ideas of how the church ought to be. Obviously Alexander Campbell and the others had derived their ideals from a selective reading of the New Testament documents (noticing certain things and ignoring others), so it was not as if they had created their scriptural prototype of Christianity out of thin air. And, by the same token, neither had Joseph Smith. Assuming he was the author of the Book of Mormon, Smith's fabricated picture of a pristine ("Nephite"[="neophyte"?]) American Christianity was in fact his own biblically-informed ideal of what American Christianity in his own day ought to become. And, for a great many Americans, it did. Joseph's Smith's creation and retrojection of an artificial, superior biblical past is thus seen to be simply the most dramatic and thorough-going of all "restorationist" creations.
Narrative Worlds Without End
What Joseph Smith did, as historical critics understand the matter, is exactly what all ancient pseudepigraphists did, and he belongs to an illustrious company. Smith belongs among the authors of the Book of Daniel, the Book of Deuteronomy, the Book of Zohar; the Pastoral Epistles (1 and 2 Timothy, Titus), not to mention a greater or lesser number of other epistles attributed to Paul; 1 and 2 Peter; 1, 2, and 3 Enoch; 1, 2, and 3 Baruch; the Apocalypse of Moses, Madame Blavatsky's Book of Dzyan, and a number of "rediscovered" Tibetan Buddhist texts. But is this group a company of saints or rather perhaps a rogues' gallery? Traditionally apologist and polemicist alike have equated "pseudepigraphist" with "fraud" or "liar." And there is a trivial sense in which such a characterization is correct.
It is that same sense in which a fiction writer is a liar and a deceiver. That is, even though the book jacket be labeled "Fiction," the writer strives to woo the reader into that state of "temporary willing suspension of disbelief" that Coleridge called "poetic faith." For the time being, the reader of a novel, the viewer of a play, allows himself or herself to be drawn into the events of a fiction, to be moved by the fortunes and misfortunes of the characters, etc. One enters a fictive world, a narrative world, in order to feel and experience things one would never otherwise experience. We now recognize, as Aristotle did, the wholesome and edifying function of temporarily suspending disbelief. But it has not always been so. Shakespeare and others were obliged to reassure their audiences that what they were about to see or read was "The True History of Richard III," or whomever. Some were not able to understand the difference between fiction and lying. The problem was that of "bifurcation," the reduction of a complex choice to an over-simple one. One's alternatives are not either "fact or deception," "hoax or history." Were the parables of Jesus either factual or deceptive? Did he intend anyone to think he was talking about the case of a real prodigal son of whose improbable homecoming he had yesterday read in The Galilee Gazette? Of course not; he knew that his audience knew he was making it up as he went, as an illustration. And this is pretty much the same kind of "deception" practiced by the scriptural pseudepigraphist, whether ancient or modern.
It may help at this point to remind
ourselves of the distinction between the author of a story and the narrator of
the story. The author is the actual person composing and producing the text.
Let Herman Melville serve as an example. The narrator, on the other hand, is
one of the characters in the story, chosen by the author as the one from whose
viewpoint the story is to be related to the reader. So the textual
self-designation "I" refers not to the author but to the narrator.
"My name is Ishmael." Does this mean that Melville is trying to
deceive us as to what his name is? No, of course not.
We are once again temporarily suspending disbelief, entering into a narrative
world. While inside it, we are listening to the narrator, a fictive construct
of the author. For the meantime, the author is forgotten in favor of the
narrator. "Ishmael is certainly a tough old salt!" one reader may
remark to another. But when they have both laid the
finished novel aside, they will begin to speak of Melville's, not Ishmael's,
strengths and weaknesses as a writer.
Accordingly, we ought to realize that for Joseph Smith to be the author
of the Book of Mormon, with
"Why Is it that You Ask My Name?"
Envision the situation that led to the production of pseudepigrapha in the ancient world and in the modern alike. It all begins with the process of the closing of the canon of scripture. Josephus informs his readers that the authority of the Jewish priests and scribes had come to substitute for that of the ancient prophets, since the voice of prophecy had long ago fallen silent. Christians reading Josephus often read him naively at this point. They cite Josephus and then point to John the Baptist as a renewal of prophecy after centuries of silence. They fail to realize that Josephus was giving a prescriptive account, not a descriptive account. The priestly and scribal establishment position had officially closed the canon of prophecy. It wasn't that new prophets were no longer forthcoming. Rather, the point was, they were no longer welcome.
In fact, the Bible makes clear that prophets had never been particularly welcome. Like Homer's Cassandra, their voices usually went unheeded and were often silenced by force. If a prophet were sufficiently popular, the authorities had to appear to take him seriously to maintain credibility with their flock (c.f., Mark -33). The first step was to silence the prophet; the second was to domesticate his inconvenient oracles by a process of official exegesis. Jesus satirized this process as adorning the tombs of the old prophets while you secretly build new ones for their present-day successors--like Jesus himself! (Matthew 23:29-31) "Blessed are you when all men despise you and cast out your name as evil, for so they did to the prophets who were before you. But woe to you when all men speak well of you, for so they extolled the false prophets" (Luke , 26) of the past--and the true prophets after they killed them!
In view of this situation, what was a new visionary to do? He had a message to declare to his contemporaries, but there was no point in simply announcing it publicly, only to be carried away and executed. Then who would hear the message? So pseudepigraphy was born. Whereas the old prophets had spoken their messages, the new ones, the pseudepigraphists, wrote down their oracles and circulated them in this form as an underground samizdat. But they knew it was important, even when speaking in the name of the Lord, to be speaking also in the name of a famous prophet. One might have established one's own prophetic charisma by personal appearances, as Isaiah and Jeremiah had, but then personal appearances were needlessly dangerous. So, in order to gain a hearing, to have their oracles taken seriously, they wrote fictively under the names of ancient worthies such as Enoch, Moses, Daniel, Baruch, etc. Oh, the words themselves would ring with their own truth if they first managed to be read, and that was the trick. So one puts Daniel's or Moses' name on it, and then the reader soon finds himself recognizing the Word of God no matter the name of the human channel through which it may have come. Did it matter much to an ancient Jewish reader that the Word of God had come through Isaiah or through Jeremiah? No more than it does to most modern readers of either prophet. All that matters is that is one is reading the prophetic Word of God. And then it ought hardly to matter whether the real writer were Isaiah of Jerusalem or a later visionary appropriating his name (as in the cases of the Second and Third Isaiah and the Ascension of Isaiah).
The closing of a canon is a momentous event in the history of any religion. It signals that the establishment (who caused the canon to be closed and who decided what belonged in it and what did not) has decided that the formative period of the religion is over and that the religion must be standardized and consolidated. You are setting about the laborious task of building the ark of salvation, and you don't want anyone rocking the boat after you've built it. You don't want to hammer out a doctrine of the Trinity, only to find some prophet popping up who announces the revelation of a fourth person in the Godhead! So the guardians of the newly-minted orthodoxy, disdaining the doctrines taught in this or that gospel or prophet, cross these off the canonical list. And they claim the prerogative of rightly interpreting the contents of what remains: "First of all, you must know this: no prophecy of scripture is a matter of one's own interpretation" (2 Peter ). Thus the long unwillingness of Roman Catholicism to open the Bible for everyone's scrutiny. Zechariah knew the situation well: "And if anyone again appears as a prophet, his father and mother who bore him ill say to him, 'You shall not live, for you speak lies in the name of Yahve' ... On that day every prophet will be ashamed of his vision when he prophesies; he will not put on a hairy mantle [the distinctive "uniform" of prophets, as with Elijah and John the Baptist] in order to deceive, but he will say, 'I am no prophet, but I am a tiller of the soil...'" (Zechariah 13:3-5).
In fact these very oracles are found in a section of the book that critical scholars dub Deutero-Zechariah. The original Zechariah was some sort of cultic prophet attached to the temple and its hierarchy, the very group who were trying to clamp the lid on populist prophecy. And in order still to have a chance to be heard, someone, one of those later prophets "ashamed of his vision," i.e., not daring to publish it under his own name, retreats behind the pen-name of one of the old prophets. Having discovered his imposture, though not his real name, we still call him "Deutero-Zechariah," "the Second Zechariah." But the name hardly matters; the content does, and this is why "Deutero-Zechariah" set pen to paper. If the sharp edges of the old prophets and seers have been smoothed out by harmonizing exegesis, then it is the pseudepigraphist's aim to sharpen that edge again by introducing new and harsh words under the prophets' names. All right, the new visionary may not dare appear in public, but the authorities will not dare to condemn new, "newly rediscovered" writings by the old, canonical prophets. In this way, the newer prophets sought and managed to slip under or over the fence built around the scriptural canon.
It may seem a great irony that a religion whose leaders claim the authority of the prophetic word as their charter of authority will at the same time be so opposed to receiving any new prophecy! But it is no irony at all, for the very notion of a canon of scripture denotes that the living voice of prophecy has been choked off and replaced with scribal authority, exercised by the official exegetes who will make the old oracles ring, not with God's voice, but with their own. "I have no word from the Lord, but I give my opinion as one who by the grace of the Lord has been found trustworthy" (1 Corinthians ; c.f., 2 Timothy 1:2-3). Jesus "taught them as one who had authority, and not as the scribes" (Mark )-- which is, of course, why the scribal establishment decided they had to be rid of him! It is well depicted in Dostoyevski's Parable of the Grand Inquisitor in The Brothers Karamazov. Jesus reappears on earth--and the first thing the church does is to arrest him and condemn him to the stake! It has taken the Church long enough to consolidate its absolute power over the minds and consciences of the faithful, and they are not about to allow Jesus' living voice return to stir things up! These are the battle lines: canon versus prophecy. The guardians of the canon use the fossil-prophecy of the past in order to turn back the challenge of living prophets by using their own weapon against them. "We know that God has spoken to Moses, but, as for this man, we do not even know where he comes from!" (John 9: 29).
In short, both the new prophets and the establishment are trying to hide behind the names of the ancient, canonical prophets, in order to claim their authority for what each side is saying. The establishment scribes are using the corpus of the scriptural prophets as something of a ventriloquist dummy to spout their own views, but just as surely, the pseudepigraphists are impersonating the old prophets, speaking with their own voices while donning the deceptive Esau-mask of pseudepigraphy. The question is: who wears the mantle of the old prophets?
We see exactly the same situation
repeated only a couple of centuries later when both orthodox bishops and
heretical dissidents alike claimed apostolic succession. If the Pope of Rome claimed
to be the successor of Linus, Peter's appointed
Even so, Joseph Smith, bitterly disillusioned by the strife and confusion of rival Christian sects in his own day, each claiming the authority of the Bible as the warrant for its distinctive teachings, finally decided to cut the Gordian Knot of Bible exegesis by creating a new scripture that would undercut the debating of the denominations and render them superfluous. He sought to found a new Christianity on a completely new basis: a new scripture from the old source, more Bible. A third Testament called the Book of Mormon. And just as the theologians of the Protestant sects followed the example of the scribes and Pharisees of old, resting their claims upon the scribal authority of exegeting ancient revelation writings, Joseph Smith was wise enough to adopt the old strategy of putting forth his own revelations in the outward form of an ancient manuscript, a pseudepigraph. If only writings of old prophets are to be taken seriously, then by all means let's write one! It's the only way left to gain media access!
But Joseph Smith hardly intended to reopen the gates of prophecy to all who might feel themselves inspired. His own pseudepigraph served rather as a new and ready-made canon, an authoritative pedigree to root his new community in the holy past, to give it instant venerable equality with the established Protestant sects, even superiority. Prophecy would continue, but only through his own mouth, as he soon stipulated.
The Same Thing
far we have tried to indicate how, far from being a mischievous or malicious
hoaxer, Joseph Smith as the author of the Book of Mormon would simply have been
doing the same thing the authors of the various biblical and extra-biblical
pseudepigrapha were doing. If we still wish to dismiss Smith as a hoaxer and a
liar, or, to put it another way, if we feel entitled to decree that God could
never sink to inspiring a pseudepigraph (and if we
think we are privy to the literary tastes of the Almighty, we are claiming to
be prophets ourselves!), then we have no option but to dismiss the biblical pseudepigraphs along with the Book of Mormon. What's good
for the goose is good for the gander. What's good for the stick of Ephraim is
good for the stick of
professed to see no problem in accepting the claim of the Book of Daniel to
have been penned in the Babylonian and Persian periods and then sealed away to
be discovered by Jews living at the time of the events predicted in the book
(Daniel 12:4, 9), i.e., the period immediately preceding the ejection of the
Seleucid tyranny from Judea. No matter that the "historical"
descriptions nearer the ostensible of time of Daniel are filled with linguistic
and historical anachronisms while the sections closer to the end are eagle-eyed
in their "predictions" of Antiochus IV Epiphanies, even of his troop
But in the wake of historical criticism (which one cannot keep out as long as one resolves with Martin Luther to admit the Grammatico-Historical Method to the study of Scripture, reading Scripture as any other human writing), most theologians have come to accept that God might inspire an authoritative pseudepigraph as easily as he might inspire a parable. Thus there no longer seems anything incompatible between a book being scripturally inspired and authoritative on the one hand and being a historically spurious but fictively edifying pseudepigraph on the other. Deuteronomy and its theology are probably taken with much greater seriousness than ever before in Christian history now that its true character (and thus its intention) can be truly understood for the first time. In the same way, a new treasure house of riches may be disclosed in the pages of the Book of Mormon once one comes to recognize the skill and the goal of the theological artistry exercised by Joseph Smith as the author, not just the translator, of the Book of Mormon.
Seer or Secretary?
We have already indicated that Joseph Smith as the creator of the Book of Mormon had simply used the same strategy as many biblical writers, adopting the outward form of an ancient manuscript as a metaphor for saying that the coming of this Word was "from of old, from ancient days" (Micah 5:2). If we are going on that basis to dismiss the Book of Mormon as a spurious fake, we are showing we have the same theologically tin ear the opponents of Jesus had when they said, "How can this man say, 'I came down from heaven'?" "You are not yet fifty years old and you have seen Abraham?" Presently we will attempt to demonstrate that Joseph Smith also followed pretty much the same method of composition as that employed by the various biblical pseudepigraphists. Thus he will come to look more and more like what we are suggesting he was: a writer of new Scripture, not merely a discoverer or translator of ancient Scripture. But we must first pause to ask if, however consistent with the goals and methods of biblical pseudepigraphists, such a role for Joseph Smith would not be impossibly incompatible with his own claims for himself and Latter Day Saint claims about him.
In a word, No.
We have already recalled the fact that, after setting forth the Book of Mormon,
Joseph Smith began to prophesy in his own voice. The Mormon canon obviously
contains many such inspired speeches by the Mormon prophet. The work of a
prophet is not that of a transcriber or translator. To equate the two is to
deny the vast gap between Moses and the latter day scribes, the distance
between the Prophet Jeremiah and his secretary Baruch, or between the Gnostic
Revealer and the shepherd Muhammad 'Ali al Samman who
chanced upon the Nag Hammadi texts while hiding from
his enemies in an Egyptian cave. According to the traditional story of the
origins of the Book of Mormon, when read the traditional way, the role of
Joseph Smith was more like that of John the Baptist, hardly that of a prophetic
revealer in his own right, but rather simply the herald for another (in Smith's
case, Mormon and Moroni) who would be a prophetic
revealer. And yet this picture blatantly belies the central importance of
Joseph Smith as revealer, prophet, and Moses-like founder of the Latter Day
Saint community. He was a living prophet whose voice was the mouthpiece for God
to issue regulations for the fledgling nest of faith. So clearly Joseph Smith
is supposed to be on Jeremiah's level, not Baruch's. If Smith were simply
equivalent to Baruch instead of Jeremiah, then we would have a problem
accounting for the full prophetic dignity subsequently ascribed to him. Would
not his "new" character as a prophetic revealer have to be understood
as a self-exaltation against the ostensibly sufficient revelation of Mormon and
Reformed Egyptian as Glossolalia
clue to this as the true scenario lies in Smith's supposed use of the magical
oracular glasses of the Urim and Thummim.
These are said to have enabled him to find clear meaning in a text that was to
him but a "field of signifiers" (Roland Barthes)
or perhaps to create meaning there. The metaphor of the Urim
and Thummim glasses is exactly parallel to Paul's
characterizing glossolalia not as a human language
unknown to the speaker, an indefensible and absurd claim, but as the ecstatic
"tongues of angels" which sing the glories "which man may not
utter." While no mortal may render their meaning exactly, it is
nonetheless possible, Paul says, to "interpret" them. But this is
closer to interpreting omens or dreams (nonverbal) than it is
to translating a text. Apollo's oracle at
If we have ears to hear, we will
recognize the Urim and Thummim
tale as a metaphor for Smith looking at
Even the designation of the supposed
original language of the Book of Mormon can be taken as a clue to the real
state of affairs: the term "Reformed Egyptian" carries resonances,
first, of the biblical exodus of
Second, the enigmatic term
"Reformed Egyptian" signifies the new start Christianity was making
To say the Book was rendered from
"Reformed Egyptian" was, then, to carry both the foundation myths of
Latter Prophets and Latter Day Saints
the Book of Mormon conforms to the genre of "the Latter Prophets"
rather than that of the "Former Prophets." The difference between
these two species of biblical books is that the Former Prophets are collections
of prophetic oracles or speeches, gathered and recorded by their hearers and
disciples (think here of the Book of Isaiah, the Book of Jeremiah, the Qur'an). The Latter Prophets, on the other hand, are a
series of edifying (and usually semi-legendary) histories written from the
moralistic standpoint of the prophets: when the people are faithful to God,
God's reward follows them. But when the nation is unfaithful, they have only
God's wrath to look forward to. Since the experience of the Babylonian Exile
made it clear that the prophets had been quite right about all this, the exiled
scribes and priests of
It may help to remind ourselves what sort of book the Book of Mormon is not. For one thing, it is not a Gospel, does not even contain a Gospel, even though Jesus Christ appears as a character in the Book of Mormon. He appears there almost in passing, just as the Deuteronomic historians found space for several long and short episodes of Elijah and Elisha and their miracles and disciples. There are epistles, at least letters, but these are embedded (or "imbricated"--Roland Barthes) in the surrounding narrative, playing a role analogous to that of a Greek chorus in a play, commenting on the action as it moves along, so the reader can keep up with the flow. Luke uses such letters throughout the Book of Acts. Luke has much in common with the Old Testament Deuteronomic History, as recent scholars have noted. And so does the Book of Mormon.
The ancients erroneously supposed that the stories of the Bible were historical reports recorded by witnesses to the events. Once scholars recognizes the absurdities entailed by this premise and cast it aside, they simply put a bit more distance between the supposed original events and those who recorded them. Scholars surmised that those who wrote down the stories were just fixing in writing the substance of oral traditions. This would allow for considerable legendary development and other difficulties which had ruled out eyewitness authorship. But in recent years some scholars have questioned even this presupposition. There seems to be less and less need to posit a traditional basis for biblical narratives, or rather perhaps, one may minimize the extent to which the biblical narrators were dependent upon any prior sources they may have used. In the latter event, the biblical authors would have simply derived ideas from traditional stories but retold them entirely from their own standpoint, just as one finds today comparing Hollywood Bible epics with the underlying Bible stories.
It may be, say scholars like Randel Helms, Thomas L. Brodie, and John Dominic Crossan, that the Gospel writers did not so much employ oral traditions of Jesus as the basis for their work as they have perhaps rather taken Old Testament texts, disregarded the plots, and reshuffled various descriptive details and narrative sequences abstracted from the larger story to use as building blocks for their own new stories, which are then provided with a definite biblical ring, and yet without recalling a particular story. Helms, Brodie, and Crossan all break down numerous Gospel stories into various phrases and motifs derived from this and that Old Testament story. Crossan isolates all the Old Testament passages which the Gospel Crucifixion narratives cite as prophetic predictions of the death of Jesus and proceeds to demonstrate how the Gospel stories seem to have been composed, not from historical memory of the events, but by connecting the dots provided by the Old Testament passages.2 It is not that Mark 15's account of Jesus' crucifixion is simple reportage of events that mirrored the "predictions" of Psalm 22. Mark does not even refer to Psalm 22 as a prediction. It begins to appear as if Mark possessed no traditional story of Jesus' death, only the bare preaching that Jesus had died on the cross. The rest he had to fill in. As his material he used the collection of Passion "testimonia" drawn by early Christian preachers from the scriptures, especially the Psalms.
Brodie, to take but a single example, derives Luke's story of the anointing of Jesus (Luke 7:36-50) from the tales of Elisha in 2 Kings 4:1-37, the episodes of the widow with the vessels of oil and of the Shunammite woman.3 As Brodie sees it, Luke derived the character of Simon the Pharisee, Jesus' rather chilly host, both from the Shunammite who is pictured as initially wary of Elisha and from Elisha's disciple Gehazi who fails in the healing mission assigned him by Elisha. The sinful woman who anoints Jesus is a character combining traits of the Shunammite woman and the widow of the guild prophet who, at Elisha's direction, pours out the self-replenishing oil to pay her creditors. The two creditors in Jesus' parable of the two debtors (contained in the anointing story) were suggested to Luke by the creditors of the prophet's widow who threatened to take her two children as collateral for her debts. Simon's invitation to Jesus was derived from the Shunammite's invitation of Elisha to stay with her. Her miraculous conception of a son led Luke to imply (Brodie thinks) that Simon the Pharisee had a change of heart, a sort of rebirth. The debt of the sinful woman is a moral one, while that of the guild prophet's widow is a financial one. Both debt crises are mediated by the prophet, Jesus in the one case, Elisha in the other. Thus the Jesus story has been derived from the two Elisha tales, while not actually modeled upon them.
Helms concentrates on the Gospels, but here is an example of his work on another biblical narrative, one from the Acts of the Apostles.4 Helms traces a series of probable connections between the opening chapters of Ezekiel (in the Greek Septuagint translation) and the story of Peter's vision in Acts 10:9-16. Ezekiel has a series of visions which teach him what he will have to endure as a prophet of God. In the first one (Ezekiel 1:1) Ezekiel sees heaven opened (enoichthesan hoi ouranoi), while in Acts Peter also sees "heaven opened" (ten ouranon aneogmenon). In a second vision Ezekiel is shown something (a honeyed scroll) and told to eat (phage) it (Ezekiel 2:9), while Peter is shown a great sheet of sailcloth containing all manner of animals, including those deemed unclean by Leviticus. He, too, is commanded, "Arise, Peter, kill and eat (phage)!" In a subsequent vision, Ezekiel is told to eat bread baked over a dung fire, something ritually unclean, which he as a priest is ill-inclined to do. He retorts to God: "By no means, Lord!" (Medamos, Kyrie), just as Peter does at the command to prepare unclean food: "By no means, Lord!" (Medamos, Kyrie). It is hard to resist the conclusion Helms reaches: Luke has invented the episode of Peter's vision based on the series of visions in the beginning of Ezekiel. Luke didn't even have to read very far into Ezekiel to find enough details to mix together into a new story.
While this sort of cannibalizing of old texts to fashion new ones may seem arbitrary to some readers, we must note that the technique is not merely the product of modern theory, as if modern scholars had simply inferred that the Gospel writers must have been doing something of the kind. These practices of recombining bits and pieces from this and that separate passage to create, in effect, a new Bible verse have long been familiar as a standard exegetical procedure of the old rabbis. For instance, Mark's citation of Isaiah (in Mark 1:2-3, "As it is written in Isaiah the prophet, 'Behold. I send my messenger before thy face, who shall prepare thy way; the voice of one crying in the wilderness: Prepare the way of the Lord, make his paths straight.'") turns out in fact to be a conflation of three Old Testament passages, Malachi 3:1 ("Behold I send my messenger [the word translated "angel" from both Hebrew and Greek originals] to prepare the way before me, and the Lord whom you seek will suddenly come to his temple; the messenger [or angel] of the covenant in whom you delight, behold, he is coming, says the Lord of hosts."), Exodus 23:20 ("Behold, I send an angel [or messenger] before you, to guard you on the way and to bring you to the place I have prepared."), and Isaiah 40:3 ("A voice cries: 'In the wilderness prepare the way of the Lord, make straight in the desert a highway for our God.'")
Notice the effect produced by the silent juxtaposition of the three verses. Mark's "my messenger" comes from Malachi 3:1. Mark's "to prepare thy way" comes from Exodus 23:20, while "Behold, I send [my] angel/messenger before..." is common to both of these texts, and it was this similarity that had already led Jewish scribes to conflate the two verses even before Mark's time. The citation of Isaiah 40:3, reemphasizing it to make it say "a voice crying in the wilderness, [saying] 'Prepare the way of the Lord" instead of, as originally, "a voice crying, 'In the wilderness prepare the way of the Lord,'" denoting the preparation of a clear path for the Jewish exiles from Babylon back through the desert to Canaan also occurs in the Dead Sea Scrolls. None of the three passages originally meant anything like what Mark makes of them in combined form. We might question whether this sort of treatment of the biblical text even counts as exegesis, but in fact it was characteristic of Mark's time and of esoteric Jewish exegesis for long afterward.
The presupposition was the distinctly un-Protestant notion that, being a divinely inspired book, the Bible was susceptible to all manner of clever manipulation. Whatever one might make it seem to mean, it meant, since it could be no coincidence that the text should yield up such fortuitous recombinations. God must have intended any message the imaginative exegete could squeeze out of it by hook or by crook. There are various well-known Kabbalistic methods including Temurah (reading the Hebrew text from left to right, like a word search puzzle, to find hidden "backward masking" revelations), Notarikon (reading each letter of a word as the first letter of each word in an implied sentence of cryptic revelation), and Gematria (reading the letters of a word as if the digits stood for numbers, so that that word would be considered interchangeable with any word elsewhere in Scripture that added up to the same sum). New revelations excavated by such methods were called "combinations," and to devise striking new ones was a mark of spiritual enlightenment. In Isaac Beshevis Singer's novel Satan in Goray, one particular Kabbalistic guru, Reb Gedaliya, is acclaimed for this: "he... adorned his speech with mystical combinations and permutations." An angel proclaims, "All the worlds on high do tremble at the unions he doth form. The power of his combinations reaches even to the heavenly mansions. From these combinations seraphim and angels twist coronets for the Divine Presence."5
The Same Way
Thus far it appears that the Book of Mormon is the product of the kind of process discussed by Helms, Brodie, and Crossan: the scrambling of motifs and distinctive phrases from previous literary texts in order to produce a new text of the same basic type. If the Book of Mormon is the literary creation of Joseph Smith, who wrote new biblical-sounding stories by combining familiar biblical vocabulary and motifs, then we may do exactly the same sort of comparative redactional analysis on the Book of Mormon that scholars have been doing on the Bible. Joseph Smith's fundamental source material still survives: the Bible. And like the Gospel writers as understood by Crossan, Brodie and Helms, Joseph Smith seems to have created new holy fictions by running the old ones through the shredder and then reassembling the shreds in wholly new combinations. His method appears to be precisely that of the old rabbis and of the New Testament evangelists. So not only did Joseph Smith do the same sort of thing biblical writers themselves did to produce new Bible text, he even did it the same way.
All of which allows us to propose a way in which mainstream biblical scholars and students of the Book of Mormon may come closer together. Biblical scholars ought to realize (as many no doubt do) that the Book of Mormon is much the same sort of thing as the Bible they so love and ought to be accorded the same sort of respect. It is no more a hoax than Deuteronomy. Mormons ought to be more open to the possibility of the Book of Mormon having originated as a modern pseudepigraph, the work of Joseph Smith himself. As we have seen, this would only serve to enhance his prophetic dignity, not to debunk it as literal-minded critics of Mormonism have always jeered. The most important boon thus gained would be the quantum leap in interpretative possibilities. With the aid of tools like redaction and literary criticism, we may disclose theological riches in the text that, on the presupposition of literalism, have remained as buried in the text as the Golden Plates themselves were in the earth until Joseph Smith disclosed them according to the foundation myth of Mormonism.
Gordon H. Fraser, What Does the Book of
Mormon Teach? An Examination of the Historical and Scientific
Statements of the Book of Mormon (Chicago:
Moody Press, 1964). This is not to deny the great value of
Fraser's research and historical conclusions. I mean only to suggest that his
theological-apologetical conclusions may be
John Dominic Crossan, The Cross That Spoke: The Origins of the
Passion Narrative (San Franscisco: Harper &
Thomas L. Brodie, "Luke the Literary Interpreter: Luke-Acts as a
Systematic Rewriting and Updating of the Elijah-Elisha Narrative in 1 and 2
Randel Helms, Gospel Fictions
(Buffalo: Prometheus Books, 1988), p. 21.
5. Isaac Beshevis Singer, Satan in Goray (NY: Fawcett Crest, 1980), pp. 140, 146-147.
Robert M Price
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